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Yearly Archives: 2009

Understanding Kata in Shotokan Karate

There are three basic elements to the study of Shotokan Karate. The first is Kihon Waza, which means Basic Techniques, and Tai Sabaki which means Body Mobility. The second is Kata, or Form, which describes the practice of performing detailed sequences of basic techniques joined into a single continuous performance. The third is Kumite, or Sparring, which describes various forms of pre-arranged or freestyle training against an adversary.

Basic technique is of course the foundation for everything else and therefore constant and committed practice of basics is the only way to build the skill base necessary for the proper study of Kata and Kumite. That said, Kata is the element that interests me in this particular article.

Sensei Eneoda (9th Dan) was a great supporter of Kata practice. He is quoted as saying …
“Live the Kata. Use all your power as if in life or death. This is something that sport karate does not have. This is why Kata is important. The body is trained, the mind is trained, the understanding of the technique deepens. It is very important that the student understands the application of technique. Many times students do not understand Kata. They cannot see the meaning of the movement They see slow, broad movement. They may think Kata has no purpose.”

As the student advances in his study, his understanding of the technique becomes deeper, more profound. Kata is for understanding each technique’s purpose and application; to understand the many, many uses the techniques have and how to apply them. Without Kata training, one is not following the way of martial art karate …….

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Dawn at Rydal Water in Cumbria

Rydal Water is a beautiful sight any time of the day, but particularly attractive at dawn in summer when the early morning mist is just rising off the lake. Wordsworth, who lived close by at Rydal Mount from 1813 to his death in 1850, is said to have favoured a spot by the lake now…

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Images from The Isle of Skye

The Isle of Skye is one of my favourite locations for Landscape Photography. It has fantastic light, like many Scottish locations, and rapid changes in weather conditions to provide endless variety. This is a scene which I know many photographers now avoid. This is because the location was beautifully shot by one of today’s best…

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Pavey Ark and Harrison Stickle in the Lakeland Fells

Last December, on an excrutiatingly cold afternoon, I was driving through the Great Langdales in Cumbria. Having climbed out of the valley on my way back for dinner, I happened to glance back over my shoulder to see the light striking the top of Pavey Ark and Harrison Stickle. I jumped out of the car,…

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Botero Museum in Bogota, Colombia

While in Bogota recently, I had the great pleasure to visit the Botero Museum and its superb collection of works by the Colombian artist Fernando Botero. The works are housed in a magnificently restored colonial mansion in the heart of Bogota’s historic La Candelaria area, where the city was founded. The permanent exhibition includes more than 120 of Botero’s own paintings, drawings and sculptures as well as 85 original works by such artists as Renoir, Monet, Degas, Matisse, Miro, Chagall, Picasso, Toulouse-Lautrec and Dali – all donated by Botero in 2000 when the museum was opened.

I found Botera’s work fascinating, some highlights of which can be seen below, with more in my Gallery. The museum is an absolutely ‘must visit’ treat and should be at the very top of every visitor’s list.

If Botero’s work is unfamiliar, he is among Colombia’s most famous exports. He is the artist who ‘paints fat people’. His love of life and affection for Colombia and its people is revealed in every painting. In the UK, the closest we’ve ever seen to these ‘plump paragons’ is in the work of Beryl Cook from the early seventies. Her work has the very same irreverent sense of fun and ‘joy of life’ captured on the canvas by Botero and she has a similar preoccupation with the ‘larger form’ of her protagonists …..

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Royal Academy of Arts – Summer Exhibition

Whether or not you are an Art ‘enthusiast’, you cannot fail to be impressed by the range and variety of art on offer at this year’s Royal Academy exhibition. I had the opportunity to see it in mid-July after the big crowds had gone, so it was somewhat easier to spend time soaking up the atmosphere and ‘immersing’ myself in the work.

The exhibition is often subject to adverse criticism, but it’s always worth spending the three to four hours you need to take it all in. My favourite works in the 2009 exhibition were those by Allen Jones, John Hoyland, Tom Phillips and Michael Craig-Martin.

Gallery I was hung this year by Allen Jones, one of my favourite modern artists. His extraordinary representations of the female form are infamous, but this year he showed some beautiful work in this room, among which pieces is ”Enchanteresse’, shown on the right. My favourite of his works though was without doubt ‘Showtime’. I was just amazed at both the idea and the sheer quality of the execution ……..

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The Outer Hebridean Islands of Harris and Lewis

These images were taken on a recent field trip with master photographer Duncan McEwan to Harris and Lewis, two islands in the Outer Hebrides group which lie off the north western coastline of Scotland. The sequence begins with the famous Standing Stones, a 13 metre circle of 13 stones ranging in height from 1m to…

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The Mind’s Eye Opens

I’ve always been an acutely visual person, with an instinctive appreciation of the visual arts. As a child, I was given an old box brownie to play with and later a small Kodak roll film camera, to record our family antics, so I suppose the seed was sown early.

Much later, through reading photographic magazines in my teens, I had become fascinated by photography, particularly photojournalism, and had invested in a Canon FTbN 35mm film camera as a first step into the world of film and darkrooms. I was very taken with the images of the great photographers, who worked exclusively in monochrome, although I knew little about it at the time as would have been very obvious from my early efforts.

To me, there was something deeply appealing about conceiving an image, in the mind’s eye, finding the unique location or choosing the ‘decisive moment’, composing and exposing the frame and then working diligently from the latent film image all the way through to a beautifully printed, mounted exhibition print. I just didn’t have the first idea how to go about achieving it. That was when I had the most amazing stroke of good fortune. I met Peter Gant, a true master, who volunteered to show me how it was done ……..

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Understanding Karate

I wrote earlier about how I was introduced to martial arts. Through those early training years I became deeply interested in every aspect of these ancient arts of defence, their origins, history and their development into today’s modern forms.

To the uninitiated, the martial arts is all about the pursuit of violence. Those that think that, do not last long in a Dojo. The better informed often focus on the self-defence aspects, but actually, there is so much more to it than that. But it is where most people. myself included, begin.

When I first discovered Shotokan Karate, in late 1973, it opened up a new world for me. At my first visit to a genuine dojo, I watched in amazement at the speed, agility and incredible balance of the students. Their persistence, dedication, and determination to master the complexities of the techniques inspired me to attempt the training myself. And so it began……..

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Gichin Funakoshi – Founder of Shotokan Karate

“The ultimate aim of Karate lies not in victory or in defeat, but in the perfection of the character of its participants.”

Master Gichin Funakoshi – 1868 to 1957 – Founder of Shotokan Karate

Master Gichin Funakoshi is widely recognised as the founder of modern day Shotokan Karate. He was born on November 10th 1868 in the Yamakawa district of Shuri, Okinawa. He began his training under Master Yasutsune Azato at the age of eleven. Master Azato also trained Funakoshi in the Confucian classics. He also studied under Master Yasutsune Itosu.

Funakoshi dedicated his life to the development and promotion of Karate training throughout Japan. Harry Cook’s superb ‘Shotokan Karate – A Precise History, 2001′ offers a detailed account of his personal development and his eventual formulation of the style of karate which became known as Shotokan. His Shotokan style has become world famous and the principles he passed down from his own teachers is as relevant today as it has ever been in man’s struggle for perfection of character …….

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Shotokan Dojo Kun

Calligraphy by Masatoshi Nakayama 9th Dan This is the Shotokan Dojo Kun or Fundamental Precepts as handed down by Shotokan’s founder Gichin Funakoshi (shown above right). It is recited by each karateka in unison at every training session, to reinforce the aims and values of Shotokan training. The translation, from right to left,  I remember…

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A journey of a thousand miles begins with the first step

It was quite a while before that first step was taken. I had asked around at my workplace in London and discovered a Korean practitioner who was willing to teach me the basics of Tae Kwon Do during the lunch hour in a basement judo hall, but this proved to be a false start. In…

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Setting Out the Pathways

This blog presents some of my preoccupations and passions in life, in the hope that it might, in a modest way, inspire just one or perhaps a few people to make the most of their opportunities. Which Path? Over the years, I’ve enthusiastically pursued many opportunities without needing the encouragement of others, but there have…

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